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(looks directly into camera, smiles slightly) "You guys still here? Turn that thing off. Go home." (camera holds on him for two seconds. He almost tears up. Then he waves his hand dismissively.)
Most conflicts arise from not saying something. A character assumes, lies, or hides a truth (e.g., Phil buying a motorcycle, Cam faking a farm injury). The documentary camera catches the lie, and the confessionals expose the absurdity.
"We started filming thinking we were documenting three separate experiments in modern living. Eleven years later, we learned the real subject was never 'modern' or 'family' as ideas. It was these specific, loud, loving, and gloriously imperfect people. And that… is the only definition that ever mattered."
(looks directly into camera, smiles slightly) "You guys still here? Turn that thing off. Go home." (camera holds on him for two seconds. He almost tears up. Then he waves his hand dismissively.)
Most conflicts arise from not saying something. A character assumes, lies, or hides a truth (e.g., Phil buying a motorcycle, Cam faking a farm injury). The documentary camera catches the lie, and the confessionals expose the absurdity.
"We started filming thinking we were documenting three separate experiments in modern living. Eleven years later, we learned the real subject was never 'modern' or 'family' as ideas. It was these specific, loud, loving, and gloriously imperfect people. And that… is the only definition that ever mattered."