Herge Anna Ralphs -

Georges Remi, known to the world as Hergé, was a meticulous but overwhelmed artist by the mid-1930s. Tintin in the Congo and Tintin in America had made him a celebrity in Belgium, but his deadlines were crushing. His studio, though small, needed help. History remembers his later assistants—Edgar P. Jacobs, Bob de Moor—but before them, there was a shadow figure: a young woman named Hermine “Anna” Ralphs.

Anna returned to England, married, and became a textile designer under her married name. She never spoke of Tintin again. herge anna ralphs

Today, the “Herge Anna Ralphs” provenance mark is a coveted notation in rare comic art auctions. A small museum in Louvain-la-Neuve displays her inking pens beside Hergé’s own. And every year, a scholarship is awarded in her name to a woman working in European comics—a quiet tribute to the ghost who helped draw a clear line for the boy reporter who never grew up. Georges Remi, known to the world as Hergé,

But Anna did more than that. She had a flair for expressive line weight—something Hergé’s ligne claire (“clear line”) style would later become famous for. In the margins of rejected panels, she sketched tiny jokes: a dog that looked like Snowy but with a curled tail; a sailor with a pipe who resembled a young Captain Haddock years before he was created. History remembers his later assistants—Edgar P

Anna Ralphs died in 2001, but not before her name was added to the official credits of two Tintin albums. The “Hergé” signature on those early proofs, she explained in her final interview, was often her own. “He was busy,” she said with a shrug. “I had neat handwriting.”

The story she would unravel began not with a mystery, but with a ghost.