But the pandemic changed our emotional palate. After years of collective trauma, audiences rejected simple binaries. We didn't want pure escapism (happy) or pure catharsis (sad). We wanted .
Just bring tissues. And maybe a snack. You’re going to need both. dramedy films
Or consider Little Miss Sunshine (2006). A family’s van has no clutch. A grandfather dies of a heroin overdose. A teenager discovers he is colorblind and can’t be a pilot. These are devastating beats. Yet the film is riotously funny—from the choreographed dance to Rick James’ “Super Freak” to the silent pact the family makes to push-start the van. The dramedy argues that tragedy and absurdity are not opposites; they are roommates. Historically, the dramedy has been the refuge of the indie director. Think Noah Baumbach ( Marriage Story —a divorce movie where Adam Driver punches a wall and also sings “Being Alive”). Think Greta Gerwig ( Lady Bird —a mother-daughter scream-fest that ends with a silent, devastating drive past an airport). For a long time, the genre was considered too niche for the multiplex. But the pandemic changed our emotional palate