Imagine a hybrid studio with a Dante-enabled interface (like a Focusrite RedNet). You can run Pro Tools on one computer and Logic on another, both connected via a standard network switch. With DVS on both machines, you can route 64 channels of audio between DAWs in real time. Need to print a stem from Logic into Pro Tools? Just route it via DVS. No external cabling required.
For decades, professional audio was tethered to physical limitations. If you wanted to get audio in and out of a computer using a networked audio protocol like Dante, you needed a piece of hardware—a Brooklyn module, an expansion card, or a dedicated USB interface. That meant higher costs, supply chain delays, and physical ports dictating your workflow. audinate virtual sound card
Audinate advertises a minimum latency of 4 milliseconds (ms) for DVS. However, let’s be realistic. That 4ms is the Dante network latency setting , not the total round-trip latency. Imagine a hybrid studio with a Dante-enabled interface